“I found it highly enjoyable and very funny,” said Anna Wintour, reflecting on her experience with The Devil Wears Prada 2, which premiered on May 1, 2026. This statement marks a significant shift from her previous hesitance regarding the original film, which was inspired by her own life as an influential figure in the fashion industry.
Wintour, the longtime editor-in-chief of Vogue, attended the premiere of the sequel on April 20, 2026. Her involvement in promoting the film included appearing on the cover of Vogue alongside Meryl Streep, who reprises her iconic role as Miranda Priestly—an embodiment of high fashion and authority. Streep’s portrayal garnered an Academy Award nomination and helped solidify her status as a cultural icon.
The first film, released in 2006 and based on Lauren Weisberger’s experiences working as Wintour’s assistant, initially drew mixed reactions from its subject. “I think the fashion industry was very sweetly concerned for me about the film, that it was going to paint me in some kind of difficult light,” Wintour remarked previously. However, her recent comments suggest a newfound acceptance of the film’s impact on popular culture.
Wintour has acknowledged the cultural overlap between herself and her fictional counterpart. She has been described as having exacting standards and a demanding management style—traits that have drawn comparisons to Miranda Priestly. Even being dubbed ‘Nuclear Wintour’ during her tenure at British Vogue, she has continued to influence the fashion landscape.
Despite stepping back as editor-in-chief in June 2025 after an impressive 37 years, Wintour remains Vogue’s global editorial director and chief content officer for Condé Nast. Her legacy includes overseeing editorial decisions that have shaped trends and standards within the fashion industry.
The sequel to The Devil Wears Prada aims to capture both old fans and new audiences alike while navigating contemporary themes in fashion. As Wintour embraces this new chapter, it reflects not only her evolving relationship with popular media but also highlights how influential figures can adapt their narratives over time.
As anticipation builds around The Devil Wears Prada 2, it is clear that Anna Wintour’s public endorsement signifies a broader acceptance of how stories from the fashion world resonate with audiences beyond catwalks and magazines.
